Friday, October 12, 2012

ArtsCanisius Lectures

Thursday, October 18
2:30 pm
Regis North

Art Conservation and the Paintings Conservation Treatment of Paolo Veronese's Annunciation.
by Eileen Sullivan, Art Conservator

This lecture will cover what conservation is (and isn't) and give a brief history of the field while going through the steps of the Veronese Annunciation treatment as a start-to-finish project.


Monday, October 29
12:00 pm
Regis

Breaking Cliché - Travel Photography that is Unique
by Tom Wolf, Photographer and Adjunct Professor of Fine Arts, Canisius College

In a world of social media, there are thousands of vacation images that are repeated over and over and thus have become cliché. This lecture will focus on creating images of your travel experiences that are both aesthetically pleasing and uniquely personal. From developing a concept that is rooted in one's life experience to the interpretation of place using both in-camera and post capture techniques, the audience will be guided through the process of making photographs that stand out from the rest.

Wednesday, October 10, 2012

IEMA FALL LECTURE SERIES 2012


IEMA FALL LECTURE SERIES 2012

Dr. William J. Meyer, Jr.
IEMA Postdoctoral Fellow 2012-13
Home of the Living, Land of the Dead: Dwelling with the Bronze and Iron Age Tombs of Southern Burgundy
Thursday, October 11, 2012
12-1 pm MFAC 354 (Location: http://www.buffalo.edu/buildings/building?id=fillmore)
Abstract:
The late Bronze and early Iron Age inhabitants of temperate Europe buried their dead in tumuli, many of which remain on the landscape long after their builders disappeared. In the Arroux and Somme River valleys of southern Burgundy (east-central France), more than 160 tumuli have been recorded since the mid-19th century. In this talk (adapted from my PhD dissertation of the same name), I explore “landscape syncretism”: the on-going process by which people make sense of inherited landscape elements. I focus on how the tumuli of the Arroux and Somme valleys (and others like them) were connected into a landscape by their initial architects and then re-connected into or disconnected from subsequent landscapes by later groups. Along the way, I examine folklore from the early Modern period, discuss the history of tumulus archaeology, and talk about contemporary interactions with mounds (including challenges to their preservation). This work underscores the importance of expanding the kinds of data and method considered properly “archaeological,” and highlights the possibility that different landscapes might co-exist within the same space at any given time. As many of us have observed during the course of our archaeological practice, this co-existence can generate conflict. Recognizing this, the responsibility of the landscape archaeologist or historical ecologist to translate the past to the present becomes coupled with a similar responsibility: to translate among these different landscapes and the people who dwell “with-in” them. 

AIA Lecture (co-sponsored by IEMA)
Dr. John Pollini
University of Southern California
Christian Destruction and Desecration of Images of Classical Antiquity
Monday, October 22, 2012
6.30-7.30 The Buffalo Museum of Science
Abstract: In popular culture Christianity is remembered for the art, architecture, customs, rituals, and myths that it preserved from the classical past.  It is rarely acknowledged, however, that Christianity also destroyed a great deal in its conversion of the Roman Empire.  The material evidence for Christian destruction has often been overlooked or gone unrecognized even by archaeologists. This lecture examines various forms of Christian destruction and desecration of images of classical antiquity during the fourth to seventh centuries, as well as some of the attendant problems in detecting and making sense of this phenomenon.  (This lecture is based on Professor Pollini’s present book project, “Christian Destruction and Desecration of Images of Classical Antiquity: A Study in Religious Intolerance and Violence in the Ancient World,” for which he received fellowships from the Guggenheim Foundation and the American Council of Learned Societies.) 

Thursday, October 4, 2012

Albright-Knox: AK Contemporary


AK CONTEMPORARY: VIK MUNIZ

Friday, November 2, 2012, 5:15 pm
Poster for Waste Land
FREE for Members
$5 for non-members
Auditorium
5:15 pm
Lecture: “Vik Muniz: Imagery in Art”With Assistant Curator of Education Jessica DiPalma 
5:45 pm
Film: Waste Land, 2010Filmed over nearly three years, Waste Land follows Vik Muniz as he journeys from his home in Brooklyn to his native Brazil and the world’s largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band ofcatadores—self-designated pickers of recyclable materials. Muniz’s initial objective was to “paint” the catadores with garbage. However, his collaboration with these inspiring characters as they re-create photographic images of themselves out of garbage reveals both the dignity and despair of the catadoresas they begin to reimagine their lives. Director Lucy Walker and Co-directors Joãs Jardim and Karen Harley have great access to the entire process and, in the end, offer stirring evidence of the transformative power of art and the alchemy of the human spirit.

ABOUT AK CONTEMPORARY

AK Contemporary is a new series at the Albright-Knox Art Gallery that will focus on contemporary artists. Each program will begin with a lecture in which Assistant Curator of Education Jessica DiPalma will provide an in-depth look at the artist’s life and work and will conclude with the screening of a documentary film in which the artist is featured. This series will mark the first time many of these films have been screened in Western New York.

Albright-Knox Lecture


LECTURE: “150 YEARS OF CONTEMPORARY ART: A HISTORY OF THE ALBRIGHT-KNOX ART GALLERY”

WITH CURATOR OF EDUCATION MARIANN SMITH

Friday, October 5, 2012, 6 pm
FREE for Members
$5 for non-members
Auditorium
The first museum to exhibit photography as art. The first woman director of a major museum. A 150-year commitment to collecting contemporary art. One of the most successful partnerships in museum history. In celebration of The Buffalo Fine Arts Academy’s 150th birthday, Curator of Education Mariann Smith will introduce you to many of the people, events, works of art, and exhibitions that have made the Albright-Knox Art Gallery what it is today—an internationally known center of modern and contemporary art.

Albright-Knox: Illuminate AK

ILLUMINATE AK

Friday, October 5, 2012, 7–9:30 pm
FREE
Delaware Stairs Overlooking Hoyt Lake
During this 150th anniversary year, as a special thank you to our loyal Members and our entire community, we are thrilled to invite you to experience the first large-scale 3D video projection mapping project presented in Western New York on Friday, October 5, 2012, at the Albright-Knox Art Gallery.
Gather on the Delaware Park side of the Gallery to witness the 1905 Albright Building come alive with color, light, and movement. The Gallery’s story will be told through never-before-seen images from our archives, as well as highlights from our famed Collection.
Two viewings of the projection will begin at 7:30 and 8:30 pm. Music, art, and refreshments will add to the entertainment. The fun starts at 6 pm.
This community-wide celebration of the Gallery’s 150th anniversary will be presented free as part of M&T FIRST FRIDAYS @ THE GALLERY.       
VIDEO PROJECTION MAPPING EXAMPLES
        
Nokia Lumina launch with deadmau5,      Luminous Field, Millennium Park,
Millbank Tower, London
                             Chicago (Luftwerk)
View Video                                                   View Video
        
Fallingwater 75th Anniversary,                Madonna’s Super Bowl XLVI 
Frank Lloyd Wright’s Fallingwater           Halftime Show (Moment Factory)
(Luftwerk) 
View Video                               View Video

Tuesday, October 2, 2012

Squeaky Wheel: CHRIS MARKER'S BESTIARY + THE CASE OF THE GRINNING CAT


CHRIS MARKER'S BESTIARY + THE CASE OF THE GRINNING CAT
FRI., NOV. 9TH @ 7:00 PM       LOCATION: SQUEAKY WHEEL MICROCINEMA
COST: $7 NON-MEMBERS / $5 MEMBERS

Celebrate the life and work of legendary French filmmaker Chris Marker (1921-2012) with this double feature. The Case of the Grinning Cat (2004) takes us meandering through Paris, ostensibly in search of a series of mysterious grinning cats whose stenciled image has sprung up in the most unlikely places as the filmmaker reflects on international politics, art and culture at the start of the new millennium. Marker’s Bestiary is a collection of 5 shorts devoted exclusively to animals - a subject matter that insistently pops up throughout his work.
THE CASE OF THE GRINNING CAT
The Case of the Grinning Cat, the latest creation from legendary French filmmaker Chris Marker, takes us meandering through Paris over the course of three years—2001 to 2004—ostensibly in search of a series of mysterious grinning cats whose stenciled image has sprung up in the most unlikely places: high atop buildings all over the city. The film—of which he has just prepared the English version—begins in November 2001 in a Paris still fresh from the shock of the September 11 attacks on the U.S., and where newspaper headlines read "We are all Americans." Over the next year, in the lead-up to the Iraq war, the city's youth march in numerous demonstrations for all manner of causes as Marker continues his pursuit of the mysterious cats. He finds them again, to his surprise, showing up as the emblem of the new French youth movement. "Make cats not war!" street art is the flip side of the idealism and exuberance driving the young people marching in protests the likes of which Paris hasn't seen since the mythic events of May 1968. While at times it might seem that the spirit of idealism has survived intact, the filmmaker's observation of it is tempered. Causes too, he observes, are a matter of fashion, and the film ends on a somber note. Cats and owls, politics and art, nimbly take their places in this Marker shuffle. The whole is woven together by the filmmaker's at times surreal humor, and by his astute and effortless camera that never fails to linger on the odd, ordinary, ineffable moments that only his eye can turn to gold dust. (Dorna Khazeni, 2006 Tribeca Film Festival Catalog)
CHRIS MARKER'S BESTIARY
Marker is best known for politically engaged documentaries (A Grin without a CatLe Joli Mai and Cuba Si!), for his personalized "cine-essay" films (Sans Soleil, Remembrance of Things to Come and The Case of the Grinning Cat) and the science-fiction classic La Jetée. No matter the subject, however, his films always reflect his deep and abiding love for animals. Indeed, virtually all of his work is suffused with images of animals—real ones as well as fine-art and pop-culture representations—especially cats, owls, wolves, horses, and elephants. Chris Marker's Bestiary collects his short films devoted exclusively to animals:
Cat Listening to Music Marker fans are familiar with the cartoon representation of Guillaume-en-Egypte, Marker's beloved pet cat, which has become the reclusive filmmaker's alter ego. In this charming short, Marker reveals the real-life Guillaume, stretched out lazily in the filmmaker's apartment, as he listens to the lilting rhythms of a piano sonata by Federico Mompou.

An Owl Is An Owl Is An Owl A visit to an aviary yields a rhythmically edited series of close-ups of the rapidly rotating or intently staring feathered heads of a colorful variety of owls, accompanied by an ambient electronic soundtrack.


Zoo Piece A leisurely-paced montage of animals, many of them confined in cages or enclosures-including seals, kangaroos, leopards, gorillas, wolves, monkeys, ostriches, and a sleeping rhinoceros.

Bullfight in Okinawa Two enormous black bulls engage in a contest of brute force, egged on by their screaming handlers, as they butt heads and lock horns in an attempt to rout their opponent.

Slon Tango In this astonishing, sustained shot, an elephant in the Ljubjana Zoo ambles around its enclosure, performing syncopated dance steps to the accompaniment of Igor Stravinsky's "Tango."
 

Canisius Lecture: "Cellblock Visions"


The Canisius College Department of Sociology presents “Cellblock Visions,” a slideshow presentation/lecture by artist Phyllis Cornfield on Wednesday, October 10 from 7:00 pm in the Regis Room South of the Richard E. Winter ’42 Student Center. The event is free and open to the public.
“Cellblock Visions” is a lively collection of inmate artwork, created behind bars, from county jail to death row. Men and women inmates, who have no previous training, turn to art for a sense of self-worth, an opportunity to vent and a way to find peace.
Kornfield is an internationally -known prison art expert. She will present powerful images and eloquent quotes that reveal this unseen subculture and reveal the human faces of its inhabitants. Previously a K-12 and college art teacher, Kornfield has taught art to prison inmates for nearly three decades. She is a graduate of the University of the Arts in Philadelphia and The Philadelphia Museum College of Art.
For more information, contact Maureen Kanczak in the Department of Sociology at Ext. 2746.